The New Palace is the building a king put up to prove a point. Frederick the Great raised it between 1763 and 1769, immediately after the Seven Years' War had drained Prussia, deliberately as a 'fanfaronade' - an extravagant show of strength meant to tell Europe that Prussia was far from broken. The result is the last and largest of the great Prussian Baroque palaces: a vast red-brick front more than two hundred metres long, crowned with a dome and a crowd of sandstone figures, standing at the western end of Sanssouci Park.
Inside are more than two hundred rooms, and the showpieces are extraordinary. The Grotto Hall has walls encrusted with shells, minerals, quartz and semi-precious stones, a fantasy of the sea built indoors. The Marble Gallery gleams with red jasper and white Carrara marble between tall mirrors, and the two-storey Marble Hall is crowned by a ceiling painting of some 240 square metres - the largest canvas ceiling north of the Alps. There is even a small rococo court theatre, opened in 1768 and still in use today.
Frederick never meant this to be his home - Sanssouci, his little vineyard retreat, was that. The New Palace was a stage: a place to receive visiting royalty and stage balls and state occasions, with four principal halls and the theatre laid on for spectacle. Behind it stand the Communs, two grand service buildings linked by a curving colonnade, built to hide the kitchens and staff and to close off the view with one last flourish of grandeur.
This is an independent concierge ticket service. We secure your timed-entry admission, send instant confirmation and a free audio guide, and stay reachable in your language right up to visit day - so you arrive, walk in on your fixed time, and spend your time inside the palace instead of in line.